When any band suddenly takes up an interest in politics and also start to rant about ‘the state the things’, it commonly sends many of your fans running for your Oasis records. However when Shikari came back with their bile covered 2nd album ‘Common Dreads’, castle married their newfound taste because that activism with a taut arsenal the guitars, pounding percussion and also hooky as hell electronics and also wound up pour it until it is full bigger venues 보다 ever.

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For album number three ‘A Flash flood Of Colour’ lock decamped to the sunny climbs that Thailand and also have come earlier with an album that assures to send them right into the really high get of festival bills.


The album starts v a long spoken word intro, i m sorry is eventually joined by a lilting set of programmed strings. Frontman Rou Reynolds is easily into his stride, tearing down the establishment as “a mechanism that was past repair”. It climate gives means to this ar with Rou talking around his childhood, i m sorry is pretty bizarre, yet in comparison to what’s coming up later…



This is an ext conventional Shikari territory, through a dub break bring about a bruising guitar riff through Rou issuing a rallying cry of “It’s not late” over the top. It’s obtained an almighty beatdown in over there too.

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You’ve heard this one. It’s nice much everything Shikari carry out well, a huge driving etc riff, a arbitrarily electro interlude and also a chorus that’s catchy together hell. It likewise ends through the world’s worst louis Armstrong impression, however you’ll have to wait until the album comes the end to hear that.


‘Search Party’

One that the lighter moment on the record, with a bridge and also chorus that space actually built approximately cooing ‘Woahs’. Key-boards gently traipse approximately a chugging riff and also build to a chorus that’s how amazing poppy. That gets heavy at the finish though. Don’t worry.

‘Arguing through Thermometers’

This monitor starts off sounding favor early carry Me The Horizon, v Rou originally doing his best Oli Sykes over a sludgy riff. And then, this being get in Shikari, that turns right into a jumpy dancefloor filler with lyrics around the explorer Ernest Shackleton and also a mad rant that compares the world’s out of manage spending to course A drugs. Why can’t every bands be prefer this?



‘Stalemate’ is a ballad. An really ballad by go into Shikari. Lush acoustic guitars, soft absent drumming and a genuine hands in the air chorus are all thrown in there, with a suitable lovers absent solo in the middle. It must be awful, but it’s in reality really good.

‘Gandhi Mate, Gandhi’

This one starts v a lengthy rant. Seriously, that goes on because that 40 seconds, with Rou aiming his lyrical gunfire at bankers, weapon manufacturers and big business in general. After ~ the entirety band bellow ‘We’re noble of this shit’, the morphs into the type of dance track crystal Castles would be proud to placed their surname to. We even get a little of Skrillex esque dub wobble at the end too.


‘Warm Smiles carry out Not make You Welcome Here’

Another slow-moving one. Not quite ballad territory, yet a lot slower than typical Shikari fare. It eventually brings in a marching drum roll and a pretty proggy riff, prefer the kind of point Coheed and also Cambria execute so well when they’re not lost in comic books.

‘Pack the Thieves’

This is actually quite pretty, through an intro oddly storage of the every those plonky piano components on the ‘American Beauty’ soundtrack. Food it climate builds into a complete on monster, with Rou screaming ‘Stand Up’ end a an extremely hooky electro breakdown. Among the standout moments on the album.

‘Hello Tyrannosaurus, satisfy Tyrannocide’

Back to the heaviness, which is fitting offered the primitive nature that title. A barreling riff growls under Rou’s yelping ‘You haven’t check out your background have you? just regurgitated lies”. It build to another dubby failure and climate a punishing outro. This is together close to ‘Common Dread’s era Shikari as the document gets.


The album ends fairly strangely, through Rou recounting a story around nearly lacking a train and also feeling a little bit glum. Normally it turns to a rallying call around the future the the person race over the optimal of a swirling string section. It’s a little of curveball together an end to the album, however then, nice much every little thing Shikari carry out is a bit of curveball isn’t it?


It’s a mark of Shikari’s confidence in what they do that they felt comfortable sufficient to add even an ext musical genres right into their currently overflowing melting pot that influences. However the variety works, together does the band’s decision to do their angrier lyrical moments much less angry and much more obtuse. It’s likewise packed come the gills through headbanging moments and even the ballads work. Seriously, what more do friend want?